This paper proposes a new pattern in the text of the Voynich Manuscript named the “Curve-Line System” (CLS). This pattern is fundamentally based on shapes of individual glyphs but also informs the structure of words. The hypotheses of the system are statistically tested by two independent people to judge their significance. It is also compared to existing word structure paradigms. The results suggest that the shapes of glyphs affect their placement in a word, the Curve-Line System is an intentional feature of the text design, and the text of the Voynich Manuscript is a highly artificial system.